Reading will float. Emerging from the text, rows of black characters are like dense water plants, which look weak and boneless, but have the power of a barrier, making it impossible to penetrate into them. This is different from the game level, because there are interests coercion, the game setting is to follow the trap mode, it must first lower itself, pretend to be stupid, pretend to be stupid than its audience, easy for you to control, let you Bite the hook under light anesthesia. Read differently. The text often ignores you. Whether you can open it or not depends on you. Different texts correspond to different readers, and it will not take any responsibility for readers at other levels.
Great work is great patience. It tells the story in a shredded way, depicts it like a craftsman, and slowly forms a volume that makes you unable to browse, so you have to follow the trail, and slowly walk into a time block of reading, where people and texts stick to each other, and both sides have the best of both worlds. , it seems to touch a nucleus, but it floats unsteadily, keeps exploring, but it is getting more and more bottomless. The advantage of diving is that you can inadvertently dig out deeply buried potatoes—those that are connotative and unremarkable harvests. At this point, the happiness of greed being satisfied overflows the whole body.
Sometimes the sack is too heavy and makes people slightly foggy.
Sometimes stumbles over a fantastic sentence. This is an unknown joy, certain words flashing in the headers and footers, as if in the depths of life, gurgling, popping out a bright bubble. Another example is the inadvertently falling out of several expression codes on a person's face, the knife in the smile, and the hatred on the brow.
If one is at ease in a superficial relationship, any presumption will be seen as out of place. It gradually turned into a breeding relationship, where everyone was a breeder, and everyone was raised by others. We are alienated, panicked, and repelled by anything other than bait. Any buoyancy is terrifying, wandering only in experience, not exploring the unknown. When opening an unfamiliar text, the reader is often discouraged by going too far. To read, you must first overcome buoyancy before you can gain the power to dive.
Power goes both ways. The opposite of buoyancy is the aesthetics of depth and openness. Of course, you have to choose the diving area that matches you. Improper choice, it is easy to run aground, or be swept away by the tide.
People are always used to using conventional thinking to follow, and reading is no exception. Reading buoyancy is magnified to be useless for groups afloat in empty areas. The world outside of experience is too far away to be seen.
Tang Nuo once said that there is no king in the book street, everyone can do whatever they want.
